Saturday, December 25, 2010

How to make Wau Bulan


This is the process how to make a wau by your own even you live outside Malaysia. You could choose your own patern and design. Basically, wau is synonim with the traditional design. The main skeleton of wau uses bamboo stick and tied up with string.

  1.  The spine of wau is measured into 3 parts, then marking the point of separation.
  2.  Wau wing section will tie first.
  3.  Wing that is tied will also be tied at the marked point of wau spine.
  4.  Bind at the top and bottom of the tail spine. Make sure that the balance in both sides.
  5.  Attach the end of the tail for both left and right to the wing.
  6.  For the waist of the wau, make 2 semi circles from the bamboo stick to form a circle as shown in Wau Bulan picture above.
  7. Last process is to make the head wau with binding half of the head with wau wing with 2-inch distance from the spine.

Painting engraving on the body between the wau is a key element of the wau is unique and special but you could use your own design. Among the steps involved: 
 
  1. Fold the paper four colors for the wing, and double to the tail.
  2. Start painting from the chest up to the end of the wing with a clear space to space site deer, for the tail, the pattern that must be drawn with the same pattern in the wing.
  3.  Pattern should be cut using a sharp knife and a special pattern is a basic pattern for the wau.
  4.  Pattern will be affixed to the other colors of paper, usually a gold color with sweeping glue behind the paper pattern. Gum should be mixed with water first to avoid sag. Paper pattern will be placed on the wet cloth. Colored paper were placed gently on the paper pattern and then leveled with the board using hot wet cloth just above.
  5.  Cut the pattern and paste the paper again with different colors until completed.


Wau Bulan

A typical Wau Bulan

Wau bulan is an intricately designed Malaysian moon-kite (normally with floral motifs) that is traditionally flown by men in the Malaysian state of Kelantan.It is one of Malaysia's national symbols, some others being the Kris or hibiscus.The reverse side of the fifty-cent coin of Malaysia (1989 series) features an intricately-decorated wau bulan with a hummer on top.
 .
 The word ‘Wau’ is believed to have been derived from the Arabic letter Wau’, because the shape of the wing resembles the outline of that particular letter. Many legends and local folklore surrounds the origin and even method of handling the Wau. It is said that in the past, farmers used the Wau as a sort of flying scarecrow to ward off birds from their paddy fields, and the sounds made by the Wau once it was airborne was said to lull their children to sleep which in turn gave the farmers ample time to tend to their crops without any distractions.

The most popular of all the Wau’s is indeed the “Wau Bulan”. A name that certainly fits one of the three country’s official kites, the name takes after the shape of the moon because the tail of this Wau is resembles that of a crescent. One of the more stable kites amongst the others, the “Wau Bulan” is known for its easy handling and stability during strong winds. The origin of the “Wau Bulan” is said to have been during the days of the Sri Wijaya Empire, where according to legend, a young prince named Dewa Muda utilised the usage of the Wau by mapping out the districts that he had conquered on the Wau itself, which he will then display to his people.

Today, the “Wau Bulan” that is still present in our modern day society takes on a more different, almost up to date look compared to its original design. The upper and lower part of the Wau is more elongated rather than its originally rounded shape. The busur or strings attached to the head of the Wau emits a coarser sound compared to the softer sounds made by the “Wau Bulan” of yesteryears.

Unlike both its Kelantan counterparts, the “Wau Jala Budi” has a unique feature in which its name and shape did not originate from its surroundings or any sort of animal; which is how a name is usually chosen for a particular Wau. Many actually believe that the “Wau Jala Budi” got its name due to the shape of its tail which resembles the ‘daun budi’; a type of leaf commonly found in the state of Kedah. The word ‘jala’ which means net, was later adapted because the strings attached to the tail of the Wau looked like a net being cast into the air when the kite was in flight. The two words were then later combined into one; thus the name “Wau Jala Budi” was then acknowledged and used till this day.

It is in fact up to us; the present generation to cultivate the love for a fading cultural heritage such as the Wau. To preserve its wonderful accompanying stories and folklore, to help mould the new generation into future and even better kite makers than their predecessors, and to bring the Wau into new uncharted heights on an international level. It is hoped that the strings that keep the beauty of our proud culture will be held longer and will be led up higher into the sky for many years to come for the benefit and knowledge of our future generation.



Biography of Joe Colombo


Cesare Colombo, known by his nickname ‘joe’ , was
born in milan in 1930 as the second of three brothers.
Colombo’s several studies show his interest and urge
for knowledge in different areas.
After studying science he changed to arts at
secondary school.
Later he studied painting and sculpture at the
accademia di belle arti in brera, milan before studying
architecture at the polytechnic.
From 1951 to 1955, joe colombo worked independently
as a painter and sculptor.
He joined the 'nuclear painting' movement and later
became a founding member of the 'art concrete' group.
He came to design relatively late. 

His father guiseppe had inherited a ribbon factory
which he turned it into an electrical conductor
manufactury. In 1958, joe and his younger brother
gianni took over the running of the family firm.
Joe Colombo abandoned painting, but used the factory
as a playground by experimenting with the latest
production processes and newly developed plastics
such as fibreglass, ABS, PVC and polyethylene.
Concentrating on industrial design from 1962 - 1971
he believed that good domestic design is available to
everyone.


When opened a design studio in milan he worked on
architectural and design commissions with industry
and retail stores.
His clients included companies like alessi, boffi,
kartell, stilnovo, rosenthal and zanotta.
Certainly, his vision was ingenuously optimistic: his
intent was based on the belief that many problems
can be solved by the use of new materials - first
and foremost plastic.
Since he suffered a severe heart attack in 1967 Joe
Colombo was aware that his life might be short.
Therefore he knew there had to be a faster way to
do many things - and he did them all together.
Unfortunately he actually died with a young age of 41.
He was one of the most influential and representative
designers of the modern epoch.
His adventuristic and futuristic character became
his trademark.
Have a look at some of his successful designs.

Thursday, December 23, 2010

'Recliners' Design by Joe Colombo

additional element used as top chair on recliner

At first sight you might see a simple comfortable lounge chair. but the additional element creates agreat variety of purposes.By placing it in different ways the user will find several positions of lying and relaxing.The most amusing adaptation of this loungefurniture is when used for dining.

Serving Tray Design by Joe Colombo

alitalia’ serving tray, 1970
ceramics manufactured by richard ginori, flatware by pinti.

The form of the ‘serving tray’ - designed by joe colombo
in collaboration with ambrogio pozzi for the italian
airline ‘alitalia’ (used in the first class) from 1970 -
is characterized by a unique functionality.
You probably know the difficulties trying to get your
food savely to the table in a crowded self-serving
restaurant. and also the fact that besides one plate
nothing more fits on the tray... colombo found the
solution:the cut-off edges of the serving dish adapt the
form of the tray to first prevent the falling off and
second to create more space.


plan view

'Cabriolet Bed' Design by Joe Colombo

The so called ‘living machines’ were the fruit of colombo‘s research for the new living habitat and his early interest in the concept of non-furniture.
Both synthesize day-time and night-time environments -a single space of numerous functions:the awning-like yellow hood of the bed can be closed completely - just like the cover of a convertable car.It conceals the entire resting area to give the user a very private atmosphere.The ‘cabriolet bed’ contained a control panel to operatea fan, cigarette lighter, radio and phone.the backside provides a mirrow.The kitchen storage unit ‘rotoliving’ is the second part of
the two coordinated ‘machines for living’ which of bothcolombo used for his private home.
they were produced in limited numbers.

detail   

Lighting Design by Joe Colombo

'KD8' Lamp

Designer :
Joe Colombo

Producer :
Kartell,Italy
1964

Material and Dimensions :
polymetacrylate
Height 15 cm

'Topo' Desk Lamp

 Designer : 
Joe Colombo


Producer : 
Stilnovo,Italy
1970

Material and Dimensions :
enameled metal
Plastic base

Height 55 cm

'Topo' Floor Lamp


Designer :
Joe Colombo


Producer :
Stilnovo,Italy
1970


Material and Dimensions :
enameled metal
Plastic base

Height 150 cm

'Vademecum' Lamp

 Designer :
Joe Colombo


Producer :
Kartell,Italy
1968


Material and Dimensions :
plastic
Stainless steel

Height 25,5 cm

Saturday, December 18, 2010

Lighting Design by Joe Colombo

'KD27' Lamp with tray

Designer :
Joe Colombo

Producer :
Kartell,Italy
1967

Material and Dimensions :
polymetacrylate
ABS

Height 33 cm -diameter 25 cm

'Colombo' Lamp

 Designer :
Joe Colombo


Producer :
Oluce,Italy
1962


Material and Dimensions :
aquered steel
Perspex diffuser

Height 23 cm - Width 26 cm

'Coupé' Lamp

Designer :
Joe Colombo


Produser :
Oluce,Italy
1967


Material and Dimensions :
metal
Base and reflector in black lacquered metal

Height 40 cm - Diam 23 cm

'Flash' Sconce

 Designer :
Joe Colombo


Producer :
Oluce,Italy
1968


Material and Dimensions :
enameled metal
Height 32 cm

'KD24' Lamp

 Designer :
Joe Colombo


Producer :
Kartell,Italy
1968


Material and Dimensions :
polymetacrylate
Stainless steel and ABS

Height 14,5 cm

Furniture Design by Joe Colombo

Joe Colombo's Trolley®


Designer :
Joe Colombo

Produer :
B-LINE,Italy
1970

Material and Dimensions :
ABS
various sizes

Versatile trolley with swing-out drawers. Originally designed as an accessory for drawing tables, over time it has become an object for everyday use to hold either work tools or household utensils thanks to its vertical modularity and great capacity.

'Tube-Chair'

Designer :
Joe Colombo

Producer :
Flexform,Italy
1969

Material and Dimensions :
plastic + latex foam

'Mini Continental' Bookcase


Designer :
Joe Colombo


Producer :
Industries Canovali,Italy
1965


Material and Dimensions :
wood
H: 118 cm - W: 118 cm - D:32 cm
 

Furniture Design by Joe Colombo

'Elda' Lounge Chair

Designer :
Joe Colombo

Producer :
Comfort,Italy
1963

Material and Dimensions :
fibreglass-reinforced polyester + leather
Height 92,5 cm

'Torre Combi Center' Container

 

Desingner :
Joe Colombo


Producer :
Bernini,Italy
1963


Material and dimensions :
rosewood
Height 162 cm

  

'Multichair'

 


 

 Designer :
Joe Colombo


Producer : 
B-Line,Italy
1971

Material and Dimensions : 
latex foam + fabric
W 67 cm - D 58 cm - H 72 cm